By Jennifer W. Dickey
More than seventy-five years after its booklet, Gone with the Wind is still completely embedded in American tradition. Margaret Mitchell’s novel and the movie produced through David O. Selznick have melded with the wider forces of southern background, southern mythology, and advertising to turn into, and stay, a cultural phenomenon.
A difficult Little Patch of History (the word used to be coined through a journalist in 1996 to explain the Margaret Mitchell domestic after it used to be spared from destruction via fireplace) explores how Gone with the Wind has remained a massive component to public reminiscence in Atlanta via an research of museums and old websites that concentrate on this recognized paintings of fiction. Jennifer W. Dickey explores how the e-book and movie threw a focus on Atlanta, which stumbled on itself at the same time awarded as a symbol of either the previous South and the recent South. Exhibitions produced via the Atlanta background middle on the topic of Gone with the Wind are explored, in addition to close by Clayton County’s declare to reputation as “the domestic of Gone with the Wind,” a moniker bestowed at the county through Margaret Mitchell’s property in 1969. There’s a recounting of the saga of “the Dump,” the tiny house in midtown Atlanta the place Margaret Mitchell wrote the publication, and the way this position turned a logo for all that was once correct and all that was once unsuitable with Mitchell’s writing.
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Extra resources for A Tough Little Patch of History: Gone with the Wind and the Politics of Memory
A Tough Little Patch of History: Gone with the Wind and the Politics of Memory by Jennifer W. Dickey